All Good Things

The Presh Fuckos Group Picture
The Presh Fuckos (from left to right): Wolfe (tiefling cleric), Felix (half-elf warlock), Ileana (eladrin druid), Mora (human fighter), Katy (DM), Lyric (tiefling bard), Reynard (canitaur gunslinger/paladin), Ophelia (high elf ranger/arcane archer), and Dorash (black dragonborn assassin). [art by nimfeemos]

This wasn’t supposed to be my first blog entry after ages away, but sometimes that’s how things pan out. Things happen beyond our control and all that. Anyway.

Dungeons and Dragons is something that has been a part of my life for the better part of two decades. My parents played it when they were in college, and then once they felt my brother and were old enough (we were both elementary/primary school aged), my dad started teaching us. He actually helped us build our characters in 2nd edition, but 3rd edition came out around the same time, so he ended up converting our sheets and teaching us using that (while also teaching himself the differences). It became a thing that we would play as a family, with my dad DMing, and my brother, mom, and I playing with a couple of NPCs to round things out (even in those days, our respect for party composition was low). When I moved up into high school we both started teaching our friends how to play and there were a lot of monstrous parties. I played in various parties even up through towards the end of college, when I dropped out of a few campaigns due to grad school application stress.

After that, I didn’t play for years, and it was hard to find groups who could stay together. Even my old ones had a hard time – we’d all ignored the release of 4th edition, but we were also now all adults and separated by a lot of distance.

Continue reading “All Good Things”

Another Story Must Begin: The End of an Era for Les Misérables in London

[This was not what I expected my very first post to be about when I started this blog, but it is what it is, and in an odd way, I suppose it’s oddly appropriate.]

Yesterday, on Saturday, 13 July 2019, the original London production of Les Misérables closed at the Queen’s Theatre. The show itself, of course, will live on in London – first as a concert production at the Gielgud next door during renovations, and then with the 25th Anniversary staging when it reopens in December at the newly renamed Sondheim Theatre. Among many notable changes, the younger 25th Anniversary staging lacks the revolve that is considered one of the hallmarks of the original production. I wasn’t able to be there last night to see its last hurrah, but I did manage to get in one last time back in February. That was, obviously, months ago[, and I can’t help but wish I had been able to be there for those final few hours.

My history with Les Mis is an odd one, really. Continue reading “Another Story Must Begin: The End of an Era for Les Misérables in London”